Showing posts with label Fashion Gist. Show all posts
Showing posts with label Fashion Gist. Show all posts
PHOTO: CHIDIMMA LOOKING STUNNING IN HER "KIKO" THREAD HAIRSTYLE

PHOTO: CHIDIMMA LOOKING STUNNING IN HER "KIKO" THREAD HAIRSTYLE

Singer Chidinma Ekile teamed up with ace photographer, Kelechi Amadi-Obi and the results were amazing.

The beautiful singer and her stunning African hairstyle looked beautiful in the shots and we can’t seem to get enough of her amazing beauty.
She’s one beautiful lady!


See more of her beautiful pictures below



FASHIONABLE GEAR FOR WORKOUT IS ENOUGH FOR THE RUNWAY

FASHIONABLE GEAR FOR WORKOUT IS ENOUGH FOR THE RUNWAY

There is a growing conflation of what you may wear for a workout and the ready-to-wear clothes on the runways of Milan and Paris The designer Gosha Rubchinskiy, who has collaborated with the Italian sportswear company Kappa, and Vetements, which has worked with Reebok, have been leading the charge. And with sports-centric brands like Tracksmith, Soar and Outdoor Voices also offering chic versions of activewear, who’s to say what’s appropriate for the gym and what’s better left to more fashionable occasions?
THIS PHOTO DISPLAY A COMIC BOOK CHARACTERS TO LIFE

THIS PHOTO DISPLAY A COMIC BOOK CHARACTERS TO LIFE

Kay Pike as the Flash. Her body painting can require 14 hours of brushwork.

Comic book enthusiasts have been transforming themselves into their favorite characters for decades using mass-produced costumes or custom outfits. This dress-up, known as “cosplay,” has become a celebrated part of fandom. But Kay Pike, 28, is a comic book fan with a different approach: Call it cospaint.

Ms. Pike painstakingly turns herself into an array of characters with a paintbrush, bold colors and a steady hand. Thanks to a keen eye for lighting and shading, her metamorphosis into heroes and villains — male and female, human and alien — eerily resembles two-dimensional comic book art.

Her self-taught body painting has garnered a devoted following on Facebook, YouTube and the streaming video site Twitch, where she paints herself live every Wednesday and Saturday. “I’m very lucky to have found a niche,” she said.

Her admirers include fanboys turned professionals like Bryan Singer, the director of several films starring the X-Men, who posted “Love this artist!” on Instagram when she painted herself as the mutant villainess Dark Phoenix. When Ms. Pike became the alien Nebula, James Gunn, one of the screenwriters of “Guardians of the Galaxy,” channeled his inner Keanu Reeves with a tweet: “Whoa. Amazing.”

Ms. Pike, who lives in Calgary, Alberta, said her fascination with comic book characters began early. “I was more than a little obsessed with anime as a kid,” she said, referring to the Japanese cartoon genre. That led to anime conventions and cosplay. “I was kind of nerdy,” she said. “I really liked the characters, and I wanted to connect with other people who loved all the things I did.”

In 2014, Ms. Pike began struggling with arthritis. It prevented her from sitting at a sewing machine for long periods, which limited her cosplay. Though she has chronic pain, her attitude remains positive: “If I didn’t have it, I wouldn’t have discovered this ability.”

Her new passion started in earnest last December, when she transformed herself into a character from Attack on Titan, a manga series about fearsome giants that prey on humans. Ms. Pike became Colossus Titan (picture a body without skin, something a medical student might use for anatomy lessons). The character’s face and shoulders required about four hours of painting.

Since then, the majority of her depictions, which average 10 to 14 hours of brushwork, have been names recognizable to even the nongeeks: Spider-Man, Catwoman, Captain Planet, Invisible Woman, the Flash and others. They all share similar traits, with the stills resembling comic book art and the videos capturing the champions coming to life. (Removing the FAB paint takes about an hour, and includes soaking in coconut oil, scrubbing, lathering and rinsing.)

“You’re painting yourself to be the comic, rather than the character,” Ms. Pike said.

Colossus Titan was popular on her Facebook page, and she posted it on Reddit, where it landed on the site’s home page. She has an extensive fan base on Twitter (12,900), Facebook (324,000) and on Instagram (263,000).
But perhaps the most important metric for her is that her Twitch following (46,000) includes 600 paid subscribers, who get access to ad-free streams, birthday treats and other goodies for $4.99 per month.

Ms. Pike works with her husband, Moose, 37 (a photographer), on the live streams out of their home studio. He has the added roles of producer and stage manager, reading his wife audience questions and keeping up engagement. “It can be pretty chaotic,” Ms. Pike said. “We try to keep it a 100 percent interactive experience with 200 to 600 people.”

She enjoys the feedback, whether it is suggestions for new characters to paint, questions about particular techniques or viewers asking how they can pursue their own projects. “It gets back to the root of why I enjoyed cosplay — to connect with all the other nerdy people,” she said. “That’s my small power as an artist: to help other people find their own motivation.”
COLOUR OF 2017? PANTONE PICKS A SPRING SHADE

COLOUR OF 2017? PANTONE PICKS A SPRING SHADE

From left, Emilio Pucci, spring 2017; Michael Kors, spring 2017; and Balenciaga, spring 2017.

When the question of what will define 2017 comes up, the response most often includes words like “Trump” and “populism” and “division” and “anger.”

“Green” — not so much.

Yet if you believe the team at the Pantone Color Institute, which calls itself the “global color authority,” green will be everywhere in 2017. Not just any old green, of course: Pantone 15-0343, colloquially known as greenery, which is to say a “yellow-green shade that evokes the first days of spring.”

That is, the Color of the Year for 2017.

Because, though you may not realize it, it turns out that green has everything to do with all of those other things. Not literally. (Despite the fact that President-elect Donald J. Trump clearly loves green, at least when it comes to dollars, he rarely wears it, and it doesn’t figure much in his decorating sense or what we know of his diet.) But emotionally and imaginatively.

“We know what kind of world we are living in: one that is very stressful and very tense,“ said Leatrice Eiseman, the executive director of the Pantone Color Institute. “This is the color of hopefulness, and of our connection to nature. It speaks to what we call the ‘re’ words: regenerate, refresh, revitalize, renew. Every spring we enter a new cycle and new shoots come from the ground. It is something life affirming to look forward to.”

In other words, if 2016 was your annus horribilis, as 1992 was for Queen Elizabeth II, whether because of elections or market forces or because you were suckered by fake news on Facebook, this suggests the possibility of something different in 2017. It contains within it the promise that we can all start afresh, with a healthier attitude unfurling like a pea shoot and our feet firmly planted on the earth, as opposed to that isolated, alienating place known as cyberspace.


That may seem facile as a reading, but, well … who ever said humanity was subtle? Certainly the psychology of color ranges from the obvious (red represents aggression; pink is swaddling and calms people) to the chiaroscuro.

When the Pantone team started noticing the creeping preponderance of green, there was a sense that perhaps it reflected what was regarded earlier this fall as the possibility of a new beginning with the first female president. But in the wake of Mr. Trump’s victory and the dissension it highlighted, Ms. Eiseman said, green “could have an even more significant meaning.”

“This particular green is an unusual color: a combination of yellow and blue, or warmth and a certain cool,” she said. “It’s a complex marriage.”

Which is probably putting what is going to have to happen in the current political climate mildly.

Pantone started choosing Colors of the Year at the turn of the millennium, in part as a way to demonstrate the psychology around what makes a color take off and to answer the question every fashion person is routinely asked, “Why is the color ____ so popular this season?”

Though the selections serve no direct consumer purpose — Pantone doesn’t sell any products related to the choices, nor does it license a symbol to other companies to denote they are using the Color of the Year — and hence the company has no way of measuring the effect of its declaration, the colors have become a sort of windsock for determining which way the national mood is blowing.

Certainly, I can attest to the fact that pretty much just minutes after the announcement is made, my inbox is inundated with emails from brands and retailers promoting products available in the Color of the Year. Airbnb was so excited, it is collaborating with Pantone for the first time next year on a Color of the Year “experience,” transforming one of its listed properties into an immersive greenery environment.

From left: Robert Geller, spring 2017; Prada, spring 2017; and Gucci, spring 2017. Credit From left: Firstview; Giuseppe Cacace/Agence-France Presse --- Getty Images; Firstview

You could argue that the selection is something of a self-fulfilling prophecy, except the point is that the products are already there (otherwise they couldn’t be marketed so immediately), which supports Pantone’s contention that it has identified a burgeoning trend.

For 2015, thus, it chose marsala, an “earthy” red-brown shade named after the fortified wine, which also happened to be the color of many politicians’ ties leading up to election year, in part because the color conveys a sense of comfort and security. For 2013, it was emerald, as seen that year on Michelle Obama in Marchesa at the Kennedy Center Honors, a dress that practically broke the internet.

Last year, Pantone took the radical step of choosing two colors — serenity and rose quartz (a.k.a. baby blue and light pink) — the better to reflect the gender-bending move toward “equality and fluidity” taking place across society (and fashion).

The process, which takes about nine months, is highly subjective, as Pantone admits, and more about instinct than science. Essentially, the team fans out across the globe and explores industries, to collect what they refer to as “proof points” — from car shows, on the runways, in decorator showcases and so on. At a certain stage they begin to notice meaningful overlap and narrow down the choices. Then one shade achieves critical mass.

“We ask ourselves about the message that color brings, and how we may be trying to use color to shape our experience,” Ms. Eiseman said.

This time they started noticing a startling ubiquity of leaf green. There was leaf green on the runway, for example, poking up around the fall 2014 shows and building through spring 2017, when brands like Balenciaga, Gucci, Michael Kors and Prada (to name a few) all featured it to varying extents. Tech companies like using leaf green in their offices. The Cité de la Mode et du Design, which houses the French Institute of Fashion, features a transparent walkway, lit in leaf green, visible from the Seine. Matcha tea is, well, hot.

The new Mercedes-AMG GT Roadster comes in a particularly fetching shade of leaf green. Green walls are becoming architectural staples in the form of vertical gardens, and green juice is everywhere. The Green party is growing in prominence. Dr. Strange wears a green amulet known as the eye of Agamotto, which has migrated into the children’s costume universe. Dior’s new makeup colors include a lip shade called “clover,” which is all you need to know.

A Mercedes AMG GT-R was on display at the Paris Motor Show in October. Credit Bernard Menigault/Corbis, via Getty Images

Though many women may recoil when they are told green is the Color of the Year — some think it is hard to wear — Julianne Moore wore leaf green Givenchy to the 2016 Screen Actors Guild awards, and Hillary Clinton wore it on the campaign trail. (Full disclosure: The New York Times has leaf green office chairs in many of its meeting rooms and offices.) If, as fashion theory holds, three examples of anything is a trend, this is a tsunami.


“There’s a Japanese concept called ‘forest bathing,’ which says that when you are feeling stressed, one of the best things to do is go walk in the forest,” Ms. Eiseman said. “But if you can’t do that, what can you do? Bring green into your environment. Put in on your body, or in your house or near your desk. That symbolic message is very important.”

In any case, you get the idea. And if you don’t, the seeds have been planted. It’ll grow on you.
THE NEW ICON OF AYO VAN ELMAR FUNKE - AKINDELE

THE NEW ICON OF AYO VAN ELMAR FUNKE - AKINDELE

Fashion brand Ayo Van Elmar announces actress and comedian Funke Akindele as the new face of the brand

Ayo Van Elmar officially unveils top Nigerian actress Funke Akindele as the new face of the brand.
The contemporary Afro-European label (Ayo Van Elmar) tapped the award winning Nigerian actress popularly known as Jenifa for an editorial while announcing her as the brand's new muse. The multifaceted actress has received several awards and recognition for her hard work and versatility in Nollywood.


"Mrs. Akindele is an exciting muse and a source of inspiration, that she embodies the strength of the African woman and resounds the aesthetics of Ayo Van Elmar" the creative director Ayo Elizabeth Olaogun revealed about the choice of the actress as muse.
An excited Funke Akindele revealed “I am delighted to be the face of Ayo Van Elmar, an aspiring global fashion brand with international standard. It’s great relief for me in particular knowing that I can patronize our made in Nigeria fashion pieces and still look classy’’ about the new announcement.

Ayo Van Elmar is a fast emerging brand launched in May 2011 and has grown immensely since her fashion business operations commenced in Nigeria in October 2013. The brand can be described as one that infuses Afro-European fusion fashion inspired by the creative director's  cross-cultural experience.

Ayo Van Elmar recently explored the world of men’s fashion at the first edition of Men’s Fashion Week Nigeria 2016, and has successfully showcased collections at the Nigeria, Vienna, Lagos, Ghana and London fashion week.